Labyrinthine works in acrylic, collage and wood — Red, Yellow and Blue Exodus — where Kufic-like maze structures rise over dense fields of colour. The core body of the 2026 solo exhibition Exodus Through the Maze: Disorientation As Fate.
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A sustained meditation on gesture and authorship. Fields of spattered colour that court comparison with action painting only to insist on their own geometric discipline and identity.
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Homage and refusal at once — works that name Mondrian, Kandinsky, Larry Poons and Samia Halaby only to depart from them, testing the distance between influence and identity.
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Densely worked canvases posing the question of identity and definition through accumulation, loop and layer.
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The ongoing numbered sequence at the heart of Murad's practice — geometric abstraction built from relativity, spatiality and the visual dynamics of form.
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